My art practice lies on the concept of discomfort, which I explore through representations of comfort derived from normalized Western culture, particularly in art-influenced environments. Using sculpture and performance with a penchant for wordplay, I deconstruct these representations that confine our bodies, focusing on the interplay between bourgeois objects and those linked to artistic institutions. By altering the functionality of these objects with intentional material choices, I engage in a dialogue about art itself, much like a collaborative storytelling process. Using materials such as wood, plaster, mural paint, and stucco—deeply rooted in my modest family background in construction—I transform these objects into visually "uncomfortable" propositions that invite collective reflection.

My aim is to redefine the functional status of objects that signify social conditions, recontextualizing them within the realm of art and the narratives we share. This initial phase alters the essence of these objects, which were once prosthetic aids designed to shield the body from its vulnerabilities. They now serve as instruments of visual irritation, reflecting the limitations and struggles of the subject while reinforcing a sense of fragility. Ultimately, I seek to develop a series of propositions that challenge conventional notions of ergonomics and optimization—an approach that embodies performative design, celebrating constraint while compelling the body to engage in dialogue.